mercredi 21 août 2019

Salon de musique hindoustanie - Rishab Prasanna et Kengo Saito - Festival Armor India 2019


Kalasetu a collaboré avec l'association AADI pour deux concerts intimistes avec Rishab Prasanna à la flûte bansuri, Kengo Saito au rubab afghan et sitar & Sandip Banerjee au tabla dans le cadre du Festival Armor India.

InChorus #11 Queens of Melody - Indian tour - April 2019


"From Kurdish songs to Hindustani ragas", here you are the musical journey proposed by Kalasetu and the Alliance française of Delhi for the next InChorus project "The Queens of Melody" with Eléonore Fourniau (vocal and hurdy-gurdy), Nandini Shankar (violin) and Abhishek Mishra (tabla).

Few dates all over India to discover these wonderful musicians.

17th April – Alliance française of Delhi
21st April – Alliance française of Hyderabad
23rd April – Alliance française of Chennai
25th April – Alliance française of Pune
26th April – Alliance française of Ahmedabad

For the 11th performance of [InChorus], two gems of music will meet on stage and marry their exquisite styles of singing and fiddle playing: the French singer and hurdy-gurdy player Éléonore Fourniau who performs the pains and joys of the Kurdish people with stunning sensitivity and the Indian violinist Nandini Shankar who interprets the ragas of Hindustani music in the gayaki ang (vocal style) with great subtlety. Their repertoires are known for the highly refined treatment of microtones and the delicate musical ornamentations. They will be accompanied by the talented tabla player Abhishek Mishra who will add his touch by creating rhythms in his brilliant style. This concert is an invitation to immerse ourselves in the timeless melodies of the vast lands of Kurdistan and India: a pure bliss to expect!

Opened to all - Free entry

Presentation of the artists 

      Eleonore Fourniau, vocal and hurdy-gurdy

After an adolescence in Ouzbekistan, Éléonore Fourniau left her native France for Turkey to learn Turkish and Kurdish musical styles and chants. She learnt saz in the conservatory of Istanbul and in the school of Erdal Erzincan where she met numerous masters. With her saz and her hurdy-gurdy, a medieval instrument that she brings subtly into Oriental music, she sings the traditional repertoire of Turkish popular music with great passion. Appreciated for her technique and her crystalline voice, Eleonore is recognized as a brilliant interpret of the Kurdish repertory and is touring now all over the world as a soloist as well as singer in different ensembles. 

      Nandini Shankar, violin

Nandini Shankar is one of the talented daughters of the violin maestro Dr. Sangeeta Shankar: she began her training in music from the tender age of 3 under the tutelage of her mother and illustrious grandmother, Padmabhushan Dr. N. Rajam. Being born and brought up in a musical atmosphere, she started her career as a violinist at an early age. Nandini is presently one of the promising figure of Indian Classical music. She has been the recipient of Cultural Scholarship awarded by Ministry of Culture and has also received ‘Jashn-e-Youngistan’ from the Vice-President of India in 2018. In parallel of her music career, she is a Faculty member at Whistling Woods International, a premier film institute in Mumbai.

      Abhishek Mishra, tabla

Born in a family of musicians, Abhishek Mishra is one of the young gifted tabla players from the Benaras style of playing. Son of Pt. Birendra Nath Mishra, he has started to learn tabla at an early age with his grandfather, Pt. Surendra Mohan Mishra, before getting the guidance of Pt. Pooran Maharaj and Pt. Kumar Bose. Abhishek is currently an A grade artist from All India Radio & Doordarshan and he is regularly accompanying senior Hindustani artists in renowned music festivals.


               

InChorus #10 - Shades of Sound - March in India



Alliance Francaise de Delhi in collaboration with Kalasetu presents
SHADES OF SOUND - In[Chorus] #10
A creative platform for rising artists 

For the 10th edition of In[Chorus], Kalasetu and the Alliance française of Delhi have welcomed three artists : the Parisian accordionist Noe Clerc, the Hindustani vocalist Ujwal Nagar and the percussionist Zaheen Khan.

Accordion is an emblematic instrument of the French music tradition: unique in its sound, versatile in its style, it is also close to the Indian harmonium. Marrying the rich sonority of virtuoso Noé Clerc with the tuneful voice of Indian classical vocalist Ujwal Nagar can only be a beautiful union ! Accompanied on tabla by Zaheen Khan, this trio promises to be a rare, interesting and ear blowing experience. It will also be a stimulating exchange between Western and Indian classical tradition.

                                                                 *******

THE ARTISTS :

Ujwal Nagar is a promising young Hindustani classical vocalist from Delhi. He received his initial training in Classical music from his mother, Guru Urmila Nagar, a Kathak and Hindustani music exponent. He has also received intensive training from Late Ustad Bashir Ahmad Khan of Sikar and is also taking guidance from Pandit Sriram Umdekar and Pandit Somnath Mardur. He is a recipient of Sahitya Kala Parishad and Central Government Scholarships. He is also doing his Ph.D in Hindustani classical music. Ujwal’s ongoing collaborative work with the group ‘Advaita’ as a lead classical singer has been greatly appreciated by classical music connoisseurs.

Noé Clerc is a multi-faceted accordionist. Student of Draomirah Hejna before joining the Conservatory of Toulouse to learn Western classical and Contemporary music in parallel of jazz. He is currently following the classes of Max Bonnay and learning improved music and jazz in the department of Ricardo del Fra, in the Conservatory of Paris (CNSMDP). In 2017, he has created Noé Clerc Trio with drummer and percusionnist Elie Martin-Charrière, double bass player Clément Daldosso. Together they create an elegant music with various influences.

Zaheen Khan is a promising tabla player from the Ajrada school of playing. Born in a family of musicians, he has started the practice of tabla at an early age with his maternal grand-father, the famous Ustad Hashmat Ali Khan. Now, he is under the guidance of his maternal uncle, the tabla maestro Ustad Akram Khan. 

 *****
[InChorus] is a cycle of musical meetings organized by the Alliance Française de Delhi and the cultural association Kalasetu for the promotion of South Asian traditional Performing Arts and exchanges between Indian and French artists. [InChorus] offers a platform for creation dedicated to young promising musicians, of all genres, settled in India and in France through residencies, concerts and workshops. They encourage talented Indian musicians to take part in the development of a musical project or to strengthen an already existing collaboration with a Francophone artist.

Four dates to discover this creation :

15th March – Delhi
17th March – Bangalore
19th March – Chennai
21st March – Pune


Free entry. Open to all

lundi 25 février 2019

InChorus #9 "Dancing with the tree" - February in India




The last creation of InChorus program (proposed by the Alliance française of Delhi et Kalasetu) is "Dancing with the Tree", a unique collaboration between Hindustani Classical musicians, Soumitra Thakur on Sitar and Mahavir Chandrawat on Tabla with Mathilde Vrignaud, a contemporary dancer from Conservatory of Paris, with the participation of Stefania Becheanu (composition, sound space).

This beautiful performance deeply attached to the nature, in particular to a tree will take you on a joyful journey of music, dance and wonder.

17th February in Delhi for the Engifest, in collaboration with the Alliance française of Delhi
20th February in Ahmedabad in Gujarat University, in collaboration with the Alliance française of Ahmedabad

"Créer l'enchantement : concert-conférence autour des répertoires poétiques et chantés de la musique hindoustanie", avec la chanteuse Ashwini Bhide-Deshpande




Petit retour en vidéo sur "Créer l'enchantement : concert-conférence autour des répertoires poétiques et chantés de la musique hindoustanie (Inde du Nord)" avec la chanteuse de Khyal Ashwini Bhide-Deshpande et les musiciens l'ayant accompagnée pour sa tournée française en décembre dernier, à savoir Vinod Lele au tabla, Vinay Mishra à l'harmonium et Ashish Verma au tampura.
Cette séance était organisée dans le cadre du 22e Festival de l'Imaginaire de la Maison des Cultures du Monde et le séminaire "Littératures d'Asie du Sud" de l'équipe DELI, en partenariat avec la BULAC.
Un grand merci à Maxime Ruscio de la BULAC pour la captation et le montage de cet enregistrement.

Pour écouter : cliquez sur le lien ci-dessous.

Trio de musique hindoustanie - concert à Paris


Dans le cadre de la tournée française du projet franco-indien Sangâta du compositeur et pianiste Thierry Pécou, Ragini Shankar, Rishab Prasanna et Amaan Ali, trois jeunes instrumentistes indiens virtuoses, feront escale à Paris, au Patronage laïque Jules Vallès, pour un unique concert : l'occasion d’entendre la flûte bansuri et le violon dialoguer sur des ragas du répertoire nord indien et répondre aux rythmes élaborés des tabla.

Les artistes

Amaan Ali Khan
Amaan Ali appartient à une famille renommée de musiciens. Il est le fils du maître de sarangi Ghulam Sabir Khan et a été initié au tabla par le maître Manju Khan. Médaillé d’or de la All India Radio (2002), Amaan Ali a accompagné de grands artistes (Shubha Mugdal, Abida Parveen, Sabir Khan), chanteurs comme instrumentistes. Il a été invité à enseigner le tabla pendant six mois au Bhavan International School de Singapour et a collaboré avec le Théâtre National de Corée dans le cadre d’un programme d’échange culturel. Il figure actuellement parmi les jeunes joueurs de tabla les plus demandés de Delhi.

Rishab Prasanna
Fils et disciple du maître de flûte et de hautbois Rajendra Prasanna, Rishab a été initié à l’art du jeu de la flûte par son grand-père et ses oncles dès son plus jeune âge. Il se produit depuis plus de 15 ans en solo et avec son père et ses frères sur les plus grandes scènes en Inde et dans le monde (Womad Festival, Darbar Festival, Festival de l’Imaginaire). Depuis 2009 il a développé de nombreuses rencontres avec des artistes européens qui l’ont mené vers le jazz, le slam, les musiques du Moyen-Orient, la musique classique occidentale et des expérimentations contemporaines sans perdre le fil de sa tradition qui nourrit tous ses projets.

Ragini Shankar
Née dans une famille comptant des musiciens depuis sept générations, Ragini Shankar a débuté le violon à l’âge de quatre ans, sous l’égide de sa mère, Sangeeta Shankar, et de sa grand mère, la célèbre violoniste Dr. N. Rajam. Ragini, dont le prénom est issu du terme raga renvoyant à l’univers mélodique de la musique classique indienne, a déjà joué sur les scènes musicales nationales les plus prestigieuses à l’image des festivals Sawai Gandharva Bhimsen Mahotsav à Pune et du Doverlane Music Festival à Kolkata, mais également à l'international. 

Téléphone 01.40.60.86.00
Email          ecrire@patronagelaique.fr

Tarifs Ville de Paris 14,20 et 12,10 euros

Adresse
72 Avenue Félix Faure
75015 Paris, France

La création franco-indienne Sangâta de Thierry Pécou en tournée en France


Résultant d'une rencontre avec l'Inde et l'univers de la musique hindoustanie, le projet Sangâta rassemble deux interprètes de l'ensemble Variances (Anne Cartel à la flûte et Carjez Gerretsen à la clarinette) et trois musiciens indiens formés depuis leur plus jeune âge à l'art musical hindoustani (Ragini Shankar au violon, Rishab Prasanna à la flûte bansuri et Amaan Ali au tabla), sous la houlette du compositeur de génie Thierry Pécou.

Six dates pour découvrir cette création franco-indienne en forme de dialogue entre deux grandes musiques classiques :

30 Janv. 2019 @ENM Mantes, Mantes-la-Jolie
31 janv. 2019 @Le Volcan - Scène nationale du Havre, Le Havre
01 févr.2019 @L'Étincelle, Rouen
02 févr.2019 @Conservatoire Camille Saint-Saëns, Dieppe, Dieppe
05 févr.2019 @Théâtre Des Quatre Saisons, Gradignan
07 févr.2019 @La Soufflerie, Rezé

En parallèle, des ateliers destinés aux élèves des conservatoires sont organisés.